There’s a lot to unpack in America today.
We could laugh off the fact that a bunch of unattractive, white trash losers took to the streets wielding tiki torches to complain about how they felt suppressed for being white. But what isn’t laughable is the fact that someone was murdered, several were injured, and worse yet, the leader of our country has essentially come out to condone and express support for the racist attacks of several neo-Nazis, klansman, and other hatemongers.
The Native American community is one of the country’s most underappreciated. We all know of our nation’s appalling history with its indigenous people, but what we often forget to discuss is how the hundreds of Native tribes are living and thriving today. We spoke with First Nation jewelry designer Nanibaa Beck to discuss how she uses her label, NotAbove to celebrate her heritage and enlighten Americans.
text by Paul Pastore
All photos courtesy BCALLA
Even if you’re even the most casual follower of pop culture, you have probably seen BCALLA’s clothes. Brad Callahan, the labels namesake, has designed custom pieces and tour outfits for GAGA and Azealia Banks. He also designed the costumes for Miley Cyrus’ iconic performance that closed the 2015 VMA’s. But BCALLA’s genesis was in the New York’s Queer underground, costuming Brooklyn superstars like Juliana Huxtable, Luke Neocamp, Cakes Da Killa, and Pearl. Bcalla’s success has been driven by Callahan’s couture creations, which transform their wearers into otherworldly beings with spikes, fur, and airbrushed monster faces. He continues to dress queer icons like gay porn star Colby Keller in tandem with pop divas, positioning him at the vanguard of fashion. Phosphenes sat down with Callahan in his studio to discuss his relationship with Americana, the future of fashion, and his own inspiration.